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Live in Marseille, October 2014

by OAKE

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about

Originally recorded during at RIAM Festival in Marseille, October 2014.

Previously released on tape via Ascetic House in 2015 as Mount Analog Exclusive, followed by a double vinyl release on Vaagner in 2018.

This is the unedited original recording, cut into the single live versions of each song for your listening experience.

Head over to the Vaagner Bandcamp page if you're interested in the double LP of the live concert: vaagner.bandcamp.com/album/live-in-marseille

๐˜—๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฏ 4 ๐˜ด๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ข๐˜น ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ด๐˜ถ๐˜ฑ๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ด๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜บ ๐˜–๐˜ˆ๐˜’๐˜Œ, ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ถ๐˜ต @ ๐˜‹๐˜ถ๐˜ฃ๐˜ฑ๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ, ๐˜‰๐˜ฆ๐˜ณ๐˜ญ๐˜ช๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ฅ ๐˜ข๐˜ต ๐˜™๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ ๐˜๐˜ฏ๐˜ฅ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜บ, ๐˜๐˜ฐ๐˜ญ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ.

๐˜›๐˜ฉ๐˜ฆ 2๐˜น๐˜“๐˜— ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ข 6๐˜ฎ๐˜ฎ ๐˜ง๐˜ถ๐˜ญ๐˜ญ ๐˜ค๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ ๐˜ด๐˜ญ๐˜ฆ๐˜ฆ๐˜ท๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฆ๐˜ข๐˜ค๐˜ฉ ๐˜ค๐˜ฐ๐˜ฑ๐˜บ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ ๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฅ๐˜ถ๐˜ข๐˜ญ๐˜ญ๐˜บ, ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ณ๐˜ต๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฐ๐˜ธ๐˜ฏ๐˜ญ๐˜ฐ๐˜ข๐˜ฅ ๐˜ค๐˜ฐ๐˜ฅ๐˜ฆ.

credits

released October 14, 2014

This album was recorded at RIAM Festival, Marseille in October 2014.
It was performed by Zippora and Eric OAKE.

All music written and produced by OAKE.
Song 3, originally written by Deathday and remixed by Eric OAKE.

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OAKE Berlin, Germany

OAKE is a German experimental techno project that ventures into the sonic realms of fear and uncertainty. OAKE pushes an unforgiving style thatโ€™s demanding of listeners, devoid of stock value or predictable moralizing, and which seeks to find and create romance in a greyscale world of brutalist architecture and all-pervasive automation. ... more

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